Saturday, March 1, 2014

IMHO. The 2013 Oscar Picks.



It's about time, it's about space, it's about Sandra Bullock in the strangest place. (Yes. I just stole the theme song from the 1966 TV Series It's About Time.)

If one word could describe the films of 2013 it's quite simply, Gravity. Regardless of what you thought of the film (that's you Peggy at the Movies) when Cinephiles look back at the year 2013, Gravity will reign supreme. No doubt about it. The single best movie going experience of the year.

Now for my should win/will win rant.



Best Picture
Should win - Gravity. What it has going for it; Sandra Bullock, George Clooney, technical prowess, emotional music, Producers Guild winner, stunning visual effects, human transcendence, stunning visual effects, Sandra Bullock's short shorts, a visionary director and it made a little bit of money - Worldwide: $703,989,531 according to Box Office Mojo.

Will win - I have no idea. It's really a three way race. Gravity deserves it.

12 Years a Slave checks a lot of boxes for the older Academy voters (period piece, true story, repression, white man guilt) but I can not honestly say it is an enjoyable moving going experience. I wouldn't want anybody I know to sit thru that film. Slave torture porn. You want to know about the extraordinary person and excoriating circumstances that is Solomon Northrop? Read the book, in his own words and be truly moved. This is a very manipulating film.

American Hustle might prevail because it seems a fresher choice than Gravity or Slave (which both may have been out front for too long). But honestly? Who fucking knows.

Best Director
Should win/Will win- Alfonso Cuaron - Gravity. One of the sure bets of the evening. Having already won the Director's Guild and the Golden Globe. His to lose


Best Actor 
Should win - Chiwetel Ejiofor. That being said above about 12 Years a Slave, no one can deny this incredible actor's performance. You can't take your eyes off him. There is scene where he sings at the funeral of a fallen wronged man. The camera lingers on him and I think that scene is one of the best in the film, or any film this year, and it's all him.

Will win - Matthew McConaughey - Dallas Buyers Club. It's America and he will win. He has swept every other award except the BAFTA, England's Oscars, where neither he or Jared Leto were nominated. And Oscars are as American as Baseball. Texan wins in a good performance enhanced by body manipulation. All I have to say to Oscar voters on this; suckers.


Best Actress
Should win/Will win - The exquisite Cate Blanchett in Blue Jasmine. She won this the day she signed the contract. She knew it. Her agents knew it. Fucking Woody Allen knew it. And they all were right. If there is an upset, I would suspect it would come in the form of Amy Adams. But that would suck.


Best Supporting Actor
Should win - Bradley Cooper - American Hustle. For a guy who got fucked by Michael Ian Black in Wet Hot American Summer, he sure has come a long way. Back to back Oscar nominations for this handsome little devil. Honestly, his abs should have won an Oscar in The A-Team. Yowzers! Seriously though, here is a guy that didn't rely on body manipulation to escalate his performance. And I'm not counting those wigs.

Will win - Jared Leto - Dallas Buyers Club. Fantastic performance in a great movie. However, Oscars are not a reality weight loss TV show. Ask Jennifer Hudson.


Best Supporting Actress 
Should win - Jennifer Lawrence - American Hustle. Ok. Yeah. Perhaps I have a hard on for J. Law. Can you blame me? Have you seen her? She's just so goddamn likable, like me. She can make history (read this post) and she was great in this (read this post) and this is the category I'm most excited for.

Will win - Lupita Nyong'o - 12 Years a Slave. I won't be mad at her if she wins. I'll leave it at that.

All other categories? 
Gravity and Frozen. All you really need to know.

Peace.








Wednesday, February 26, 2014

Saturday Night Live and the Oscars. Alumni who have been nominated.

Having just watched SNL alum Will Forte's great performance in Nebraska and wondering why he wasn't nominated for a Supporting Actor Oscar, lead me to think about other SNL alumni who have actually had dates with Oscar. And that answer is: only 7. Some might say 9; but 2: George Coe and Randy Quaid, received their nominations before being a cast member on SNL. That technically makes them the only Oscar alums to become cast members on SNL. Not the other way around. But if you are wondering, George Coe received an Oscar nomination in 1969 for a live action short called De Duva. The Dove, a short film that poked fun at the directorial style of Ingmar Bergman. Coe became a cast member on SNL in 1975, six years after his nomination. Randy Quaid (I forgot he was an Oscar nominee and I forgot he was on SNL) was nominated for Best Supporting Actor in 1973 for the Navy drama The Last Detail opposite Jack Nicholson. Quaid lost to John Houseman in The Paper Chase and joined SNL for their 1985-1986 season, twelve years after his nomination.

Now let's move on to, technically, the only 7 SNL alumni to receive Oscar nominations...


And the nominees were...

Joan Cusack - SNL Cast Member 1985 - 1986.  Since leaving Saturday Night Live, Cusack was nominated for an Academy Award twice in the Best Supporting Actress category. Her first nomination was in 1988 for the comedy classic Working Girl. Fellow co-star Sigourney Weaver was also nominated but they both lost the award to Geena Davis in The Accidental Tourist. Her second nomination came in 1997 for the comedy In & Out starring Kevin Kline. She lost that year to Kim Basinger in L.A. Confidential.

Dan Aykroyd - SNL Cast Member 1975-1979. Aykroyd was nominated for an Oscar for Best Supporting Actor in 1989 for the film Driving Miss Daisy. He lost the award to Denzel Washington in Glory. However, Miss Daisy went on to win Best Picture of the year.

Robert Downey Jr. - SNL Cast Member 1985-1986. RDJ has been nominated for two Academy Awards since leaving Saturday Night Live. His first nomination came in 1992 for Leading Actor for playing non-other than Charlie Chaplin in the film Chaplin. He lost the award to Al Pacino in Scent of a Woman. His second nomination, and a surprising one at that, came in the Supporting Actor category for the 2008 comedy Tropic Thunder. He lost that award to Heath Ledger in The Dark Knight.

Bill Murray - SNL Cast Member 1977 - 1980. Murray was nominated for Leading Actor in 2003 for the film Lost in Translation, directed by Sophia Coppola. He lost the award to Sean Penn in Mystic River.

Michael McKean - SNL Cast Member 1994-1995. McKean was nominated for an Oscar in the Best Original Song category for "A Kiss at the End of the Rainbow" from the 2003 film A Mighty Wind. He lost the award to Annie Lennox, Fran Walsh and Howard Shore for the song "Into the West" from The Lord of the Rings: The Return of the King.

Eddie Murphy - SNL Cast Member 1980-1984. Eddie Murphy was nominated for Supporting Actor in the 2006 musical Dreamgirls. Murphy was considered by many to be the frontrunner for the award but previews for his next film, Norbit, where he spends half the movie in a black lady fat suit, gave voters pause. He lost the award to Alan Arkin for Little Miss Sunshine.

Kristen Wiig - SNL Cast Member 2005-2012. Wiig received a nomination in 2011 in the Best Original Screenplay category for Bridesmaids, shared with Annie Mumolo. They lost the award to Woody Allen for Midnight in Paris.


To date, no SNL alum has ever won an Academy Award.


Tuesday, February 25, 2014

Back to Back Oscars? I'm Talking To You Ms. Jennifer Lawrence.

(thanks to Peggy at the Movies Supporting Actress picks for inspiring this post)

There have been only 5 Actors to win back to back Oscars in the 85 years since the Academy Awards has been around. I'd like to know why people aren't talking about the fact Jennifer Lawrence can make history by becoming the YOUNGEST performer to win back to back Oscars and the first to win in 2 different acting categories. And she has a real shot of doing it.

Here's who has done it already in one form or another....



Luise Rainer in 1936 for The Great Ziegfeld and in 1937 for The Good Earth. Many Oscar enthusiasts consider her 2nd win for The Good Earth to be one of the Academy's great blunders. Many believe, to this day, Greta Garbo deserved it for her iconic performance in Camille. But Oscar doesn't always get it right and Luise Rainer became the 1st performer and actress to win consecutive Oscars






Spencer Tracy in 1938 for Captains Courageous and in 1939 for Boys Town. He is the first actor and 2nd performer to win back to back Oscars and most people are ok with this. No scandalous Luise Rainer shit here. Tracy went on to have 9 career nominations, all for leading actor, his last being Guess Who's Coming To Dinner with our next consecutive Oscar
winner....






Katherine Hepburn. Wow. Not only did she garner 12 Best Actress nominations, all in the leading category, she won back to back Oscars for in 1968 for Guess Who's Coming To Dinner and in 1969 for The Lion in the Winter (where she tied with Ms. Streisand for Funny Girl but who really
cares about that dated performance? Have you seen it lately? Borders annoying. Sorry Babs.) Meryl Streep may have more nominations than Hepburn but she has yet to win back to back Oscars. Also, Hepburn has won a total of 4 Oscars, all in the leading actress category. Streep only has 3 and one of them is for supporting. Hepburn reigns supreme.


Jason Robards in 1976 for All the President's Men and in 1977 for Julia. He thus became the first performer to win back to back Supporting Acting Oscars. He was also nominated for an Oscar for playing Howard Hughes in the 1980 film Melvin and Howard. He had a very successful film career in the 1980's and 1990's. His last role was in the 1999 film Magnolia.


and... Tom Hanks in 1993 for Philadelphia and in 1994 for Forrest Gump. Personally, I cannot believe he won an Oscar for Forrest Gump. Morgan Freeman was nominated for The Shawshank Redemption that year, there is no contest. Also, that brings me to my point; when Tom Hanks had the opportunity to win back to back Oscars, the media flocked to the story, perhaps giving him an unfair advantage by focusing in his narrative, "First actor in 60 years to win back to back leading actor Oscars." I haven't seen anything about poor J. Law's opportunity to make history. After winning Best Actress just last year for Silver Lining's Playbook, she may very well win Best Supporting Actress this year for American Hustle (please see review here.) Let's talk about it people! You know we love her.

Thursday, January 16, 2014

They're Here: 86th Annual Oscar Nominations

 
AMERICAN HUSTLE & GRAVITY LEAD WITH 10 NOMINATIONS EACH
 
12 YEARS A SLAVE - 9 NOMINATIONS
 
CAPTAIN PHILLIPS, DALLAS BUYERS CLUB & NEBRASKA - 6 NOMINATIONS
 
HER & THE WOLF OF WALL STREET - 5 NOMINATIONS
 
PHILOMENA- 4 NOMINATIONS
 
BLUE JASMINE & THE HOBBIT: DESOLATION OF SMAUG - 3 NOMINATIONS
 
Biggest Snubs Actors - Emma Thompson, Tom Hanks, Robert Redford, Daniel Bruhl, Oprah Winfrey, Forest Whitaker, Joaquin Phoenix
 
Biggest Snub Films - Inside Llewyn Davis, Lee Daniels' The Butler, Saving Mr. Banks, Enough Said
 
Biggest Surprises: All the love for The Wolf of Wall Street. A nomination in the song category for a movie no one has heard of Alone Yet Not Alone. The Chinese film The Grandmaster gets 2 nominations. Dallas Buyers Club for Best Picture. Jackass Presents: Bad Grandpa gets nominated for Makeup and Hairstyling
 
Fun Facts: The women in the Best Actress category have a combined total of 38 Nominations between them. Roger Deakins receives his 11th Oscar nomination in the cinematography category for Prisoners, he's never won.

Best Picture
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
12 Years a Slave
The Wolf of Wall Street
 
Best Director
Alfonso Cuaron - Gravity
Alexander Payne - Nebraska
David O. Russell - American Hustle
Steve McQueen - 12 Years a Slave
Martin Scorsese - The Wolf of Wall Street
 
Best Actor
Christian Bale - American Hustle
Bruce Dern - Nebraska
Leonardo DiCaprio - The Wolf of Wall Street
Chiwetel Ejiofor - 12 Years a Slave
Matthew McConaughey - Dallas Buyers Club
 
Best Actress
Amy Adams - American Hustle
Cate Blanchett - Blue Jasmine
Sandra Bullock - Gravity
Judi Dench - Philomena
Meryl Streep - August: Osage County
 
Best Supporting Actor
Barkhad Abdi - Captain Phillips
Bradley Cooper - American Hustle
Michael Fassbender - 12 Years a Slave
Jonah Hill - The Wolf of Wall Street
Jared Leto - Dallas Buyers Club
 
Best Supporting Actress
Sally Hawkins - Blue Jasmine
Jennifer Lawrence - American Hustle
Lupita Nyong'o - 12 Years a Slave
Julia Roberts - August: Osage County
June Squibb - Nebraska
 
Best Original Screenplay
American Hustle - Eric Warren Singer, David O. Russell
Blue Jasmine - Woody Allen
Dallas Buyers Club - Craig Borten, Melissa Wallace
Her - Spike Jonze
Nebraska - Bob Nelson

Best Adapted Screenplay
Before Midnight - Richard Linklater, Julie Delpy, Ethan Hawke
Captain Phillips - Billy Ray
Philomena - Steve Coogan, Jeff Pope
12 Years a Slave - John Ridley
The Wolf of Wall Street - Terence Winter
 
Best Animated Film
The Croods
Despicable Me 2
Ernest & Celestine
Frozen
The Wind Rises

Best Foreign Film
Broken Circle - Belgium
The Great Beauty - Italy
The Hunt - Denmark
The Missing Picture - Cambodia
Omar - Palestine
 
Best Song
"Alone Yet Not Alone" - Alone Yet Not Alone - Bruce Broughton, Dennis Spiegel
"Happy" - Despicable Me 2 - Pharrell Williams
"Let It Go" - Frozen - Kristen Anderson-Lopez, Robert Lopez
"The Moon Song" - Her - Karen O, Spike Jonze
"Ordinary Love" - Mandela: Long Walk to Freedom - U2

For a list of complete nominees see OSCAR.COM
 

Wednesday, January 15, 2014

Pill Pop Hooray - Blue Jasmine/Cate Blanchett - August: Osage County/Meryl Streep - Reviews

I know pills.
Have you seen my pills?

I don't take pills, no, no, no. But I do know people that ingest them. Like candy. Like Mike & Ike's. I suspect that they are not for legitimate reasons. Perhaps they were, at one point in time, but I can't help but think they might be taking them recreationally. Who am I to judge? Let he without sin cast the first stone, or something like that.

Speaking of pills, my Mother is in town. She is visiting Southern California for a couple of weeks. So I took Valerie, (that's my mom's name, Valerie) to the picture show to see August: Osage County. I have been anxiously waiting to see this film, mainly because I am reminded of my family every time I see the preview. And who better to take to see this film then my very sensitive mother. What a treat!

AUGUST: OSAGE COUNTY - 2013 - ***½
dir. John Wells.
Meryl Streep, Julia Roberts, Chris Cooper, Juliette Lewis, Ewan McGregor, Margo Martindale, Sam Shepard, Dermot Mulroney, Julianne Nicholson, Abigal Breslin, Benedict Cumberbatch, Misty Upham.

August: Osage County is the big screen adaptation of the Pulitzer Prize winning play (of the same name) written by Tracy Letts. The film is about the women of the Weston family and the tragedy (Dad's suicide) that brings the clan back together. Every member seems to have their own specific problem. Violet (Meryl Streep) is the matriarch of the family who not only has mouth cancer (ironic) but is heavily reliant upon pills and booze. Her daughter Barbara (Julia Roberts) is separating from her husband (Ewan MacGregor) and her daughter (Abigail Breslin) hates her. Karen is the sister no one ever sees (Juliette Lewis) and she brings along her pot smoking, sports car driving fiance (Dermot Mulroney). There is also poor Ivy (Julian Nicholson) who thinks she's in love with her cousin (Benedict Cumberbatch). Dysfunction is busting at the seams.

August has assembled one of the best casts of the year. There are 5 Oscar nominees (and 3 winners) chewing up the scenery in this masterfully acted story. The film is directed by John Wells who is best known for writing and producing shows such as ER and The West Wing, and he knows how to utilize this strong ensemble. And that is recommendation enough for this film.

Streep. Roberts. Nicholson. Martindale.
Once the family is together in their Oklahoma Farm House after Dad's (Sam Shepard) funeral, pills start being popped, bottles of wine are
downed like water and the family skeletons have a seat at the dinner table. Unable to shake off it's stage roots the film feels a little claustrophobic. Meryl Streep is outstanding in everything she does, we know this and we love her. If any criticism is to be made it is that her performance flirts with being over the top. But, oh how delicious it is.

The women rule this film. Everyone knows that I'm not the biggest Julia Roberts fan but this is the best she's has been since Erin Brokovich and it's always nice to see Emmy Winner Margo Martindale, as Violet's sister Mattie Fae, put to good use. Juliette Lewis' kooky and optimistic Karen is right in her wheelhouse and I wish we had a little more of her. Unfortunately, the men seem somewhat an afterthought compared to the flair an pizazz the girls get to play with - but they are solid nonetheless.

There is no happy ending for this family. (Wait until you see what happens with the incest subplot) With pain too deep and scars that never seem to heal, the best this family can hope for is time apart. August: Osage County is one of the best films of the year.

BLUE JASMINE - 2013 - ***½
dir. Woody Allen.
Cate Blanchett, Alec Baldwin, Sally Hawkins, Andrew Dice Clay, Bobby Cannavale, Michael Stuhlbarg, Louis C.K., Alden Ehrenreich, Peter Sarsgaard.

On the way home from the movie theatre, Valerie and I stopped by the video store and rented Woody Allen's Blue Jasmine. Another film about a pill popping boozer whose husband killed himself. (I wonder if my mom caught on to the themes of the films.) But, that's about where the similarities end.

Jasmine (Blanchett), or Janette, or whatever she is going by this year, is in a crisis. Her sleezy husband (a slick Alec Baldwin) has just been arrested for embezzlement, ala Bernie Madoff. The Park Avenue shops, South of France ports, Chanel dresses, diamond bracelets, and having six houses way-of-life has come to a tragic and very abrupt end. Left with nowhere to turn, Jasmine must move in with her adoted sister, Ginger (Sally Hawkins), in San Francisco. Actually both sisters are adopted which, Jasmine explains, is why they look nothing alike.

Jasmine is seen talking to herself at parties and on the street rehashing to strangers the best moments of her past because "there is only so many traumas a person can withstand until they take to the streets and start screaming." As she tries to adjust to the change of lifestyle, her back story unfolds in a series of flashbacks. It reveals her pampered past and explains why here future forward will be difficult. Having been a housewife, she really has no marketable skills to speak of. She gets a job at a dentist office only to be sexually harassed by her boss (Michael Stuhlbarg). She also takes on a computer course because she thinks interior design may be her calling but she even has trouble turning on a computer. All of this stresses her out. She washes down Xanex with vodka at every available opportunity. She's a broken woman.

Hawkins. Clay.
To make things even more complicated, she has a cold and distant relationship with Ginger. When Jasmine was living it up in the Hamptons she never gave a shit about Ginger, whom she was embarrassed by. But now here is Ginger, welcoming her sister with open arms into her cramped, working-women lifestyle. Complete with the typical blue collar boyfriend, Chili (Bobby Carnivale) whom Jasmine hates.

Allen is obviously channeling Tennessee Williams' A Streetcar Named Desire. And it's a wonderful homage that sits well with this group of actors.

You really are rooting for Jasmine but she just can't get out of her fantasy world and sabotages every chance she has at a new beginning. And with the final revelation about how her husband got captured by the FBI, you see so clearly why she has gone off the deep end.

Blue Jasmine is Woody Allen's best film in years. Cate Blanchett gives the performance of 2013 (sorry Sandra Bullock) and will no doubt win her second Oscar, this time in the leading actress category. Sally Hawkins (who I found so annoying in her break out role in Happy-Go-Lucky) is fantastic here. I hope she gets some Supporting Actress recognition at tomorrow's Oscar nominations announcement. Blue Jasmine is also one of the best films of the year.

Monday, January 13, 2014

The Navigation of Grief.

 
The last two years have each started off with a friend committing suicide. I still have their names in my cell phone. I can't bring myself to erase them. It gives me some sort of comfort to scroll across them on lonely Thursday nights when I want to talk to someone, or on drunken Saturday nights when I want to text some stupid picture of myself drunk in Downtown Las Vegas. Whatever the reason, it's nice to be reminded of them.

Suicide seems so selfish, really. To leave behind more questions than answers and even as I write this, I know it sounds harsh. For me, that's the element I struggle with most. How am I supposed to feel? I'm sad. I'm angry. I'm confused. I'm really confused. But if I think about it long enough, if I really let myself get down to it, my heart breaks.

In 2010, (the most recent year info is available)  38,364 suicides were reported to the Center for Disease Control, making suicide the 10th leading cause of death for Americans. In that year, someone in the country died of suicide every 13.7 minutes.

The most tragic thing to me has to be, in those final moments, that person truly believes they have no one to turn to. It's at this moment I try to figure out what I could have done differently or what mutual friends could have done differently to prevent a loved one's suicide. In both instances of my friends' suicides, we had a shared friend group and I know I could go to any of them in a time of desperate need. Why didn't that person think they could?

The possibilities are endless. Shame, embarrassment, fear, mental health issues.

Questions.

Questions.

 We are just left with questions. I suppose that's what makes it so hard to cope.

According to the American Foundation of Suicide Prevention "More than 90% of people who take their own lives have an underlying mental disorder at the time of their death. Many times, that disorder was never identified." That makes it nearly impossible to predict which people are predisposed to suicidal thoughts. And if that's the case then there really is nothing we can do except be the best person we can be to our friends, colleagues and neighbors.

Studies also show that connecting with mutual friends and other survivors of suicide loss is a key factor in coping. Group discussions seem to work best. It's good to know that other people are questioning the navigation of grief. It's nice to hear that these systems are being put in place to help those who are hurting the most right now.

For a support group directory of the United States, click here.

For a list of online support groups, click here.

If anything can be taken from losing a loved one so senselessly is that, perhaps, we pause before with dismiss someone so effortlessly. Are we really too busy to take the time to put our hand on the shoulder of someone we consider a friend and say: "I am here for you." Is the hustle really worth that? It takes money to nurture a city and time to nurture a soul. What's more important? I'd give anything to text my two friends and ask them.

(Asking questions is how I grieve. I pass no judgment on anyone.)

Monday, January 6, 2014

I Like Me Some Jami Gertz - A Film Retrospective

It's hard to peg down actress Jami Gertz. Both her television and film careers have been very successful. In the early 80s she was ubiquitous on the small screen appearing in no less than 5 television series. Most notably as Muffy Tepperman on the short-lived, now iconic, show Square Pegs (which also launched Sarah Jessica Parker). It was not long after Square Pegs, she was ever present on the big screen.

Gertz worked pretty steady in film through the mid 1990's and then segued back into another successful television career. Including shows like ER, Seinfeld, her Emmy nominated role on Ally McBeal, Entourage, and a four year stint over at CBS on the sitcom Still Standing. She also appeared in quite a few made-for-television movies including playing Gilda Radner in Gilda Radner: It's Always Something.

Like most kids of the 80s, I became enamored with Gertz when I saw her in the 1987 Joel Schumacher cult classic The Lost Boys. I had the privilege of working in a video store from the ages of 15 to about 20 years old. It was the perfect place for me to seek out titles of stars I admired-like Jami Gertz. Here within lies some of her films that I enjoyed most.

I do like me some Jami Gertz.



Jami.



CROSSROADS - (1986) - *** - dir. Walter Hill. Ralph Macchio, Jami Gertz, Jon Seneca, Harry Carey Jr., Steve Vai, Joe Morton. Ralph Macchio stars as Eugene "Lightning Boy" Martone-a teenager out of Julliard with a profound talent for and understanding of the blues. His special skill is the classical guitar and his love for the art form has driven him to seek out old time harmonica player Willie Brown (a delightful Jon Seneca.) Not before long, the two hit the road to the Deep South to a place where Willie once made a deal with the devil. Gertz stars as Frances, the girl they find along their journey. Roger Ebert says this of her performance, "Gertz is a newcomer; this is her second major movie this year, after a somewhat thankless role in Quicksilver in which she worked for a bicycle messenger service. She's just right for this movie, with the toughness required by the character, and yet with the tenderness and the romantic notes that remind us that this is really a myth." This was a film I watched many a late night on HBO back in the day. Good stuff.

SOLARBABIES - (1986) - ** - dir. Alan Johnson. Jami Gertz, Jason Patric, Richard Jordan, Lukas Haas,  James Le Gros, Charles Durning. I had to include this film because, honestly, I am mystified by it. First off, let me start by saying not only did I own this on VHS, I had to buy a second copy because I watched the first one too many times and it broke. I'm totally serious. Second-ok, so this is a hall of fame boo-boo but what a wonderful boo-boo to discuss here with you. The movie owes a lot the Mad Max films-you know, desert waste lands, cities made of trash scraps, bleak futuristic settings-but doesn't quite deliver. The actors and the production crew all seem to bring their A game but the producers and the screenwriters seem to have phoned this one in. It's about a futuristic society where kids are in work camps and water is rationed and a group of misfits play rollerball and they befriend a sphere of light from outer space name Bodhi and escape the work camp and skate across the desert to freedom...Or something like that. I remember reading a 1994 Entertainment Weekly with Jason Patric on the cover. He briefly spoke of this film, saying the actors were misled by the producers who claimed that this would be a Star Wars type extravaganza and, needless to say it wasn't. Hey, it was shot in Spain. The actor's got to go to Spain. I quote Roger Ebert a lot, I kinda worship him. Here is his blurb on Solarbabies, "The cast is led by Jami Gertz, a strong, attractive young actress last seen opposite Ralph Macchio in Crossroads and includes Charles Durning in another of those roles where he is sincere and sweats a lot." And boy does he sweat. If you haven't seen it, I recommend watching it with a group of friends when you're stoned.

THE LOST BOYS  - (1987) - *** - dir, Joel Schumacher. Jason Patric, Jami Gertz, Corey Haim, Corey Feldman, Dianne Wiest, Edward Herrmann, Kiefer Sutherland, Alex Winter, Barnard Hughes. Where to begin? I had the poster, the soundtrack, the VHS. This film, along with The Goonies, Stand By Me and Monster Squad, helped guide me to my love of  the movies. Especially as a 10 year old boy. A family moves to a California beach town where the local teenage inhabitants are vampires. Dianne Wiest (in her first film after winning an Oscar for Hannah and Her Sisters) plays the mother of Jason Patric and Corey Haim. The dynamic they set as a family going through a divorce is heart warming, honest and unexpected in a film of this nature. The relationship between to two brothers is utterly believable. I talk often a good actors making their source material better because of their skill. (Please see American Hustle review) This is a gleaming example of that. Jami Gertz, in the role of Star, joins the ranks of Carrie Fisher from Star Wars in that of fan boys biggest screen crushes. Kiefer Sutherland is the original vampire bad ass. Can you imagine if the Twilight films had an ounce of what The Lost Boys had? Beautiful cinematography from Michael Chapman. And who can forget the song "Cry Little Sister" by Gerard McMann? Fantastic visual effects in the final scene. A must see for vampire aficionados.

LESS THAN ZERO - (1987) - ***½ - dir. Marek Kanievska. Jami Gertz, Robert Downey Jr., Andrew McCarthy, James Spader. When Clay (Andrew McCarthy) returns home from college for Christmas break, he finds that his two best friends, Blair and Julian (Jami Gertz and Robert Downey Jr.) have let their druggie partying lifestyle get the best of them. In front of the glitzy backdrop of Hollywood and Beverly Hills in the 1980s, director Kanievska brilliantly captures the ostentatiousness of that period. The frustration Clay has with his friends fits beautifully with McCarthy, who made a career of playing the normal straight guy. Gertz is pitched perfectly as the young woman in denial of her cocaine abuse. There's a fine line between coking once in a while in the bathroom at a club and buying a bag to get you through the day. In the hands of  a lesser actress, Blair's addiction could have become over the top but Gertz keeps her problems grounded in realism. The film, however, belongs to Downey Jr.'s Julian. He is charming, heartbreaking, funny, and you believe he really wants to get better. In just a short time he goes from graduating high school with his future wide open, to whoring himself out at parties for drugs. His demise is hard to watch and if you have ever known an addict, is pretty spot on. There is also the wonderful James Spader as the lecherous drug dealer Rip. R.I.P.: A great name for a drug dealer. Cinematographer Ed Lachman captures the color and the vibes of the 80s with such vibrant superficiality that watching it today is like opening a time capsule. Fantastic adaptation of the classic novel by Bret Easton Ellis. Let's not forget The Bangles cover of the song "Hazy Shade of Winter."

SILENCE LIKE GLASS - (1989) - *** - dir. Carl Schenkel. Jami Gertz, Martha Plimpton, George Peppard, Rip Torn, Bruce Payne, Yeardley Smith. Gertz plays Eva Martin, a young ballerina who is diagnosed with cancer and admitted to the youth cancer ward where she shares a room with fellow patient Claudia Jacoby (Martha Plimpton). I haven't seen this film for years and it is very hard to find. Most people I come across have never even heard of it. I remember working in the video store and seeing Gertz's gorgeous face on the cover of the VHS box. I was also in love with Martha Plimpton after seeing The Goonies and Runnig On Empty. It is by no means an easy film to watch but the acting is so strong from the two female leads, you're captivated. If you are a fan of either actress, you should seek out this film. German title Zwei Frauen (Two Women.) This would make a beautiful stage play.

SIBLING RIVALRY - (1990) - *** - dir. Carl Reiner. Kirstie Alley, Bill Pullman, Carrie Fisher, Jami Gertz, Scott Bakula, Frances Sternhagen, John Randolph, Sam Elliot, Ed O'Neil. This is one of my Mom's favorite movies. We must have watched it dozens of times together. An absolutely wonderful black comedy ensemble piece. Marjorie Turner's (Kirstie Alley) marriage is on the rocks. She is urged by her sister (Jami Gertz in all her kooky glory) to have an affair and when she does, the man dies. This is just the start of the film. When we find out that the man she had sex with is the brother of her husband-one she has not previously met-shit just gets crazy. It's nice to see Ed O'Neil play it straight for once and Carrie Fisher makes a wonderful bitch. Alley has some fantastic lines, "It wasn't sex, it was good."

JERSEY GIRL - 1992 - *** - dir. David Burton Morris. Jami Gertz, Dylan McDermott, Joseph Bolgna, Sheryl Lee, Aida Turturro, Molly Price, Joseph Mazzello. This movie was never given a fair chance and instead was relegated to a life of "straight to VHS". It's a fine romantic comedy in the vein of Pretty Women and it's just as good if not better than any of this shit Hilary Swank or Katherine Heigl puts out. Gertz plays Toby, a Jersey girl from Hackensack, who wants more outta life than acrylic nails and Italian sausage. She wants a successful man to take her to parties and dinners and fancy places. So, she decides to scope out a man at the local BMW shop. Hey, why not? Better than taking home a hooker. The film's gotta lot of heart and Gertz wears it on her sleeve. Nice performance from Joseph Bologna as Gertz's father. Do not mistake this for that crappy 2004 Jennifer Lopez/Ben Affleck fiasco.

TWISTER - 1996 - *** - dir. Jan de Bont. Helen Hunt, Bill Paxton, Carey Elwes, Jami Gertz, Philip Seymour Hoffman, Lois Smith, Jeremy Davies. Made $241 Million at the domestic box office and nearly half a billion worldwide. This is by far the most popular of Gertz's film. It is loads of fun. Helen Hunt and Bill Paxton lead a team of tornado chasers who are about to revolutionize the way scientists study tornadoes. There are also the rival scientists who aim to foil their plans. Don't pay much attention to the plot here; the truly impressive element is the fantastic, Oscar nominated, visual effects. Gertz's Melissa Reeves is the only character in the film that has honest reactions to the storms. I'd be screaming my head off too if I was a few feet away from a crazy- ass storm monster.